Original title | Good Favour |
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Danish title | Good Favour |
Director | Rebecca Daly |
Screenplay | Rebecca Daly, Glenn Montgomery |
Producer | Conor Barry, John Keville, Benoit Roland |
Director of Photography | Tibor Dingelstad |
Editor | Tony Cranstoun |
Sound | Arnaud Calvar |
Composer | Rutger Reinders |
Appearance | Vincent Romeo, Marie-Louise Coninck, Alexandre Willaume-Jantzen, Clara Rugaard |
Production country | Denmark |
Companies |
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Production company | |
Executive Producer | Savage Productions, Wrong Men |
Co-production | Final Cut for Real ApS, Viking Film |
With support from | Det Danske Filminstitut, FilmFyn |
In collaboration with | DR |
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Direction |
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Direction | Rebecca Daly |
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Script |
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Screenplay | Rebecca Daly |
Screenplay | Glenn Montgomery |
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Production |
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Producer | Conor Barry |
Producer | John Keville |
Producer | Benoit Roland |
Co-producer | Monica Hellström |
Co-producer | Signe Byrge Sørensen |
Co-producer | Merleen Slot |
Executive producer | Keith Potter |
Production manager | Maria Kristensen |
Production assistant | Emma Agergaard Svendsen |
Production assistant | Mauricio González-Aranda |
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Cinematography |
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Cinematographer | Tibor Dingelstad |
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Stills |
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Stills | Martin Maguire |
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Editing |
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Editor | Tony Cranstoun |
VFX editor | Rasmus Bro |
VFX assistant editor | Sara Bruun |
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Music |
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Composer | Rutger Reinders |
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Sound |
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Sound designer | Arnaud Calvar |
ADR mixer | Troels Fløe Kristensen |
ADR mixer | Rune Thuelund |
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Visual effects |
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VFX supervisor | Peter Hjorth |
VFX supervisor | Alexander Schepelern |
Compositing | Troels Hoe |
Compositing | Stefan Bjørnfort Bernscherer |
Compositing | Linus Lindbalk |
Compositing | Gustav Törnroth |
VFX producer | Christina Jæger |
VFX coordinator | Nina Strøm |
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Appearance |
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Tom | Vincent Romeo |
Sophia | Marie-Louise Coninck |
Hans | Alexandre Willaume-Jantzen |
Shosanna | Clara Rugaard |
Peter | Baard Owe |
Mikkel | Lars Brygmann |
Maria | Victoria Mayer |
Anne | Helena Coppejans |
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