Cinemateket
Film
Du skal ære din Hustru
Carl Th. Dreyer, 1925Vær med til at fejre filmens 100 års fødselsdag her i Cinemateket! Carl Th. Dreyers film er et arbejde ud i realismen og den afdækker et vovet emne for 1920’erne. Ida knokler fra morgen til aften,…
Vær med til at fejre filmens 100 års fødselsdag her i Cinemateket! Carl Th. Dreyers film er et arbejde ud i realismen og den afdækker et vovet emne for 1920’erne. Ida knokler fra morgen til aften, mens Viktor kræver konstant opmærksomhed og beklager sig over alt. Da Ida flytter hjem til sin mor for at restituere sig, overtager barnepigen Mads husholdningen og rusker op i Viktors hverdag. Efter en måned under Mads' tugt har han lært at være forekommende og føjelig, men har han stadig en chance hos sin elskede hustru?
Medvirkende: Johannes Meyer, Astrid Holm, Karin Nellemose
Instruktør: Carl Th. Dreyer
Danmark, 1925
DCP, 107 min.
Engelske mellemtekster
Tilladt for alle, men frarådes børn under 7 år
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Instruktør: Carl Th. Dreyer
Danmark, 1925
DCP, 107 min.
Engelske mellemtekster
Tilladt for alle, men frarådes børn under 7 år
Danish on a Sunday: Master of the House m. intro v. Isak Thorsen
‘Master of the House’ with intro by Isak Thorsen. The 20 minutes introduction is in English.
Ida is a perfect wife and mother, but her husband Victor finds fault with everything she does. She bears…
Ida is a perfect wife and mother, but her husband Victor finds fault with everything she does. She bears…
‘Master of the House’ with intro by Isak Thorsen. The 20 minutes introduction is in English.
Ida is a perfect wife and mother, but her husband Victor finds fault with everything she does. She bears it all patiently until Victor's old nanny, Mads, unable to stand it any longer, persuades Ida to hit back by leaving him, temporarily at least. Carl Th. Dreyer’s movie is a work of realism and showcases a daring theme for the 1920s.
Se mere
Ida is a perfect wife and mother, but her husband Victor finds fault with everything she does. She bears it all patiently until Victor's old nanny, Mads, unable to stand it any longer, persuades Ida to hit back by leaving him, temporarily at least. Carl Th. Dreyer’s movie is a work of realism and showcases a daring theme for the 1920s.
