Cinemateket

Tre værker, der vises sammen. Tinne Zenner og Eva La Cours ‘Honeycomb Image/Archive Cladding’ udforsker de parallelle historier mellem Overformynderiet ved Holmens Kanal og det grønlandske marmorbrud Maarmorilik. Rhea Storrs ‘Through a Shimmering Prism, We Made a Way’ følger tre søstre, der følger alternative ruter gennem London og Nassau, Bahamas, i en undersøgelse af forholdet mellem kolonialisme og arkitektur. Og Eric Baudelaires ‘When There Is No More Music To Write, and other Roman Stories’ er et cinematisk triptykon inspireret af Alvin Currans arbejde, der med Rom som setting undersøger parallellerne mellem politisk teori og radikal, kunstnerisk praksis.

EN:

Three works shown together. Tinne Zenner and Eva La Cours' 'Honeycomb Image/Archive Cladding' explores the parallel histories between the historical building Overformynderiet in Copenhagen and the Greenlandic marble quarry Maarmorilik. Rhea Storr's 'Through a Shimmering Prism, We Made a Way' follows three sisters as they follow alternative routes through London and Nassau, Bahamas, in an examination of the relationship between colonialism and architecture. And Eric Baudelaire's 'When There Is No More Music To Write, and other Roman Stories' is a cinematic triptych inspired by the work of Alvin Curran, which uses Rome as its setting to explore the parallels between political theory and radical artistic practice. Instruktør: Eric Baudelaire, Eva La Cour, Rhea Storr, Tinne Zenner
Bahamas, Danmark, Frankrig, Storbritannien, 2022
DCP, 88 min.
Engelske undertekster
Tilladt for børn over 15 år