Boy in the Dohyo

At first glance, the children's film "Chikara – The Sumo Wrestler's Son" is the story of a small boy in a tough sport, but to director Simon Lereng Wilmont it is above all a universal narrative about fathers and sons.

Chikara - Sumobryderens søn af Simon Lereng Wilmont
"Chikara – The Sumo Wrestler's Son". Framegrab

One of the first shots in the 30-minute "Chikara – The Sumo Wrester's Son" shows a wrestling match between two boys. Barely a second goes by before one of the boys is pushed out of the ring, the dohyo, and lands smack on the floor a foot beyond the perimeter, his face contorted in tears.

"My plan was to make a film that goes behind the stereotypical notions we in the West have about the Japanese." – Simon Lereng Wilmont

"My plan was to make a film that goes behind the stereotypical notions we in the West have about the Japanese." – Simon Lereng Wilmont

The crying boy isn't the film's protagonist. That's Chikara, who appears shortly afterwards by himself, lost in thought in the middle of the gym amongst the other boys, naked except for the loincloth Japanese sumo wrestlers wear.

At this point, most Westerners' preconceptions are liable to kick in, seeing the boys as victims trapped in weird, millennium-old rituals in a country that puts undue demands on its citizens and has one of the highest suicide rates in the world. But that's only on the surface, director Simon Lereng Wilmont says.

"My plan was to make a film that goes behind the stereotypical notions we in the West have about the Japanese," he says. This comes out in Chikara and his relationship to his father, Harumitsu.

Chikara Sticks With It

In Japan, a lot of people still continue the tradition of following in their parents' footsteps. That's the case with Chikara, whose name means 'strength." He is a sumo wrestler, like his father before him.

But Chikara isn't big or strong for his age, and he often has problems in the ring. He looks hopelessly small next to his huge father. In a sport whose practitioners are supposed to look as imposing as possible, Chikara's potential is hard to spot. But he sticks with it, and to the director that's the interesting thing about him.

 "It makes you think why so many of these sumo kids stick with it, even though sumo is such a tough world," Wilmont says. 'It has to do with the concept of 'ganbaru' that permeates Japanese society. You should be able to withstand anything, no matter how painful. It will pay off in the end. The Japanese say that about all sorts of things. It hurts, but if you can endure it, it shows that you are made from the right stuff."

The filmmaker sees another, more important reason why Chikara sticks with sumo, even if he, too, has his doubts about it.

Sumo as a Way of Bonding

"To me, the film is mainly about a boy who wants to be closer to his father. He doesn't see him all that often, because his father has to work a lot to keep his family afloat. Sumo is their time together," Wilmont says.

Beyond the specific grounding in Japan and the exotic traditions of sumo, the filmmaker sees his film as a universal story about a father-son relationship. "Sumo is a means for Chikara to spend time with his father. And sumo is a way for his father to show that he cares about his son."

Wilmont hopes children who see the film, ideally with their parents, will think about the choices Chikara makes.

"I would like children to ask themselves or their father and mother: 'if it hurts so much, how come Chikara still likes sumo? Why does he keep doing it?' A different view of a tough sport will emerge that way, if you go beneath the surface".

"Chikara – The Sumo Wrestler's Son" is produced by Monica Hellström for Final Cut for Real.