During a lonely summer vacation, the introverted Little Allan, 11, is talked into acting as a human antenna for his old, UFO obsessed neighbour. An invasion fleet is coming, and apparently the only way to save Earth is by communicating through Little Allan’s brainwaves. But what they find is not exactly an invasion fleet. When the rickety antenna construction collapses, Little Allan is only barely saved by the alien girl, Britney, who is doing a school project about the primitive human race. Now Little Allan has to help her get home, while she becomes fascinated with this little specimen of the human species: Why does this boy keep saying that he is fine, even though his parents just got divorced, and he’s clearly not? Is that how all little humans work?
| Original title | Lille Allan |
|---|---|
| Danish title | Lille Allan |
| Director | Amalie Næsby Fick |
| Screenplay | Thomas Porsager, Amalie Næsby Fick |
| Producer | Thomas Heinesen, Trine Heidegaard |
| Editor | Anders Skov |
| Sound | Oskar Skriver, Bo Asdal Andersen |
| Composer | Andreas Arenholt Bindslev |
| Appearances | Peter Frödin, Louis Næss-Schmidt, Sofie Torp, Jesper Christensen |
| Production country | Denmark |
| Production company | Nordisk Film Production A/S |
| Domestic distribution | Nordisk Film Distribution A/S (DVD) |
| International sales | TrustNordisk / Filmbyen 22 / 2650 Hvidovre / t +45 3686 8788 / f +45 3677 4448 / info@trustnordisk.com / www.trustnordisk.com |
| Danish theatrical release | 03.02.2022 |
| Comment | Amalie Næsby Fick graduated as animation director from the National Film School of Denmark in 2016. She made her debut as feature director with 'The Incredible Story of the Giant Pear' (2017), which premiered at the Berlinale, and she made her serial debut with 'Sex' (2020), also selected for Berlin. |
| DFI subsidy | Konsulentstøtte |
Companies |
|
| Production company | Nordisk Film Production A/S |
| Domestic distribution | Nordisk Film Distribution A/S (DVD) |
|
|
|
Direction |
|
| Direction | Amalie Næsby Fick |
|
|
|
Script |
|
| Screenplay | Thomas Porsager |
| Screenplay | Amalie Næsby Fick |
| Storyboard | Jakob Foged |
| Storyboard | Lars Hummelshøj |
| Storyboard | Mads Themberg |
| Storyboard | Daniel Dion |
|
|
|
Production |
|
| Producer | Thomas Heinesen |
| Producer | Trine Heidegaard |
|
|
|
Editing |
|
| Editor | Anders Skov |
|
|
|
Music |
|
| Composer | Andreas Arenholt Bindslev |
|
|
|
Sound |
|
| Sound engineer | Oskar Skriver |
| Sound designer | Bo Asdal Andersen |
|
|
|
Visual effects |
|
| Visual concept | Kresten Vestbjerg Andersen |
| Technical chief | Jimmi Gravesen |
|
|
|
Animation |
|
| Art director | Daniel Silwerfeldt |
| Modelling supervisor | Toke Rasmussen |
| Animation supervisor | Stine Marie Buhl |
|
|
|
Appearance |
|
| Appearance | Peter Frödin |
| Appearance | Louis Næss-Schmidt |
| Appearance | Sofie Torp |
| Appearance | Jesper Christensen |
|
|
|
Det Danske Filminstitut registrerer international festivaldeltagelse og priser til danske film,
dog primært de titler, som Filminstituttet varetager i sin festivaldistribution,
og primært i forbindelse med de festivaler, som Filminstituttet har prioriteret at samarbejde med.
Registreringen af festivaldeltagelse og priser til danske film, der ikke er i festivaldistribution,
foretages kun for "launch"-festivaler ifølge Filminstituttets prioriterede festivalliste. Se listen over prioriterede festivaler.