Who would you be if you could be anyone? Young Ines is offered an unexpected chance to find out – and she grabs it. During a trip to Northern Norway with her boyfriend, Ines accidentally meets the seductive Japanese Maria. A meeting that ends deadly in the harsh wasteland, but becomes a new beginning for Ines, who soon finds herself under a new name in a remote and foreign city: Osaka. A business card with the name of a nightclub leads her deep into a labyrinthine parallel world where identities are floating. However, one of the regulars turns out to be just as possessed by the missing Maria as Ines is.
| Original title | Miss Osaka |
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| Danish title | Miss Osaka |
| Director | Daniel Dencik |
| Screenplay | Daniel Dencik, Sara Isabella Jønsson |
| Producer | Michael Haslund-Christensen |
| Director of Photography | Aske Alexander Foss |
| Editor | Olivia Neergaard-Holm, Jenna Andreasen Mangulad |
| Sound | Mikkel Groos |
| Composer | Yasuaki Shimizu, Johan Carøe, Kwamie Liv |
| Production designer | Jane Marshall Whitaker, Aiko Kuramoto |
| Casting | Ko Iwagami, Anja Philip, Nina Erdal, Nathalie Cheron |
| Appearance | Vic Carmen Sonne, Mikkel Boe Følsgaard, Mirai Moriyama, Kaho Minami |
| Production country | Denmark, Japan, Norway |
| Danish subtitles | Yes |
| Domestic distribution | Øst for Paradis |
| International sales | Haslund/Dencik Entertainment ApS |
| Danish theatrical release | 09.09.2021 |
| Comment | Second feature film by Daniel Dencik, who directed the documentaries ’Moon Rider’ (2012) and 'Expedition to the End of the World' (2013) and made his debut as fiction feature director with ’Gold Coast’ (2015). |
| DFI subsidy | Konsulentstøtte |
| Danish rating | Allowed for children over the age of 11 |
Companies |
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| Production company | Haslund/Dencik Entertainment |
| Co-production | Rein Film, Filmfond Nord, FilmCamp, VICE Studios, Tonemestrene, C&I Entertainment, Vice Denmark, Beo Post Production |
| With support from | Det Danske Filminstitut, DR |
| Domestic distribution | Øst for Paradis |
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Direction |
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| Direction | Daniel Dencik |
| Casting | Ko Iwagami |
| Casting | Anja Philip |
| Creative supervisor | Trine Dyrholm |
| Creative supervisor | Dagur Kári |
| Creative supervisor | Rumle Hammerich |
| Creative supervisor | Tarek Abbar |
| Creative supervisor | Maja Jul Larsen |
| Creative supervisor | Anders Frithiof August |
| Creative supervisor | Per K. Kirkegaard |
| 2nd assistant director | Sunniva Sollied Møller |
| 2nd assistant director | Toshihiro Karuishi |
| Continuity | Michelle Laursen Koch |
| Casting | Nina Erdal |
| Casting | Nathalie Cheron |
| Continuity | Lillian Rype Fokdal |
| 1st assistant director | Christian Pedersen |
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Script |
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| Screenplay | Daniel Dencik |
| Screenplay | Sara Isabella Jønsson |
| Storyboard | Simon Bang |
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Production |
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| Producer | Michael Haslund-Christensen |
| Line producer | Johnny Andersen |
| Co-producer | Mathis Ståle Mathisen |
| Co-producer | Aleksander Olai Korsnes |
| Co-producer | Teruhisa Yamamoto |
| Co-producer | Peter Hyldahl |
| Co-producer | Mikkel Bussenius Kastberg |
| Executive producer | Linda Netland |
| Executive producer | Gjermund Gisvold |
| Executive producer | Kjetil Jensberg |
| Executive producer | Svein Andersen |
| Executive producer | Anders Berggreen |
| Producer's assistant | Pernille Tornøe |
| Line producer: Development | Sune Lolk |
| Line producer: Development | Kim Arnt Torp |
| Line producer (Japan) | Yoshitate Kuremura |
| Producer's assistant | Megumi Arita |
| Production assistant | Ane Sofie Vennize Andersen |
| Producer's assistant | Tamon Kondo |
| Associate producer | Masaki Miyajima |
| Production manager | Yoshihito Nagatomi |
| Production assistant | Marja Kivenmäki |
| Location manager | Thomas Seppola |
| Location manager | Masaru Sanu |
| Location manager | Toshiharu Hamamoto |
| Location manager | Kyozo Iseki |
| Post-production assistant | Christian Rom Petersen |
| Post-production | Katrine Flit |
| Post-production supervisor | Edoardo Rebecchi |
| Post-producton coordinator | Inés Europa Crespo |
| Production coordinator | Pia Severin Valentine |
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Cinematography |
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| Cinematographer | Aske Alexander Foss |
| First assistant camera | Emil August Bilde Fogh |
| First assistant camera | Sondre Sandbakken |
| DIT | Casper Gaston Kehlet |
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Stills |
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| Still photographer | Gabriela Lie Yoshimoto Cruz |
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Electrical dept. |
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| Lighting designer | Martin Lerche |
| Best boy | Olle Sundberg |
| Best boy | Teizo Kakuda |
| Electrician assistant | Matthias Bemme Emmerich |
| Electrician assistant | Dan Erik Heggelund |
| Electrician assistant | Suzy Bentzen |
| Electrician assistant | Anne-Berit Simonsen |
| Electrician assistant | Hårvard Norgård |
| Best boy | Yasuhiro Kaneko |
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Editing |
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| Editor | Olivia Neergaard-Holm |
| Editor | Jenna Andreasen Mangulad |
| Avid assistant | Adil Zaman |
| Assistant editor | Gustav Nordentoft-Nissen |
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Music |
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| Composer | Yasuaki Shimizu |
| Composer | Johan Carøe |
| Composer | Kwamie Liv |
| Music clearing | Rasmus Thond |
| Music clearing | Leslie Ming |
| Music clearing | Diana Ristevska |
| Music clearing | Christian Blad |
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Production design |
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| Production designer | Jane Marshall Whitaker |
| Production designer | Aiko Kuramoto |
| Property master | Lasse Bjørnvad |
| Property master | Sango Nakamura |
| Set decorator | Yoko Sugawara |
| Set dresser | Ayaka Muroi |
| Set dresser | Reinert Kiil |
| Assistant set dresser | Yuta Hyakutake |
| Assistant set dresser | Suguru Higashida |
| Assistant set dresser | Runa Okubo |
| Assistant set dresser | Riko Yokomichi |
| Assistant set dresser | Yuki Samata |
| Assistant set dresser | Kaho Takadera |
| Assistant set dresser | Kazuki Nakamaru |
| Assistant set dresser | Andreas Rørslett |
| Assistant set dresser | Hanna Suni |
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Wardrobe |
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| Costume designer | Jane Marshall Whitaker |
| Costume designer | Yayoi Koike |
| Costume on set | Vic Carmen Sonne |
| Costume assistant | Nilssen, Rune Hennum |
| Costume assistant | Karin Simonsen Folgerø |
| Costume assistant | Alli-Liis Vandel |
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Makeup |
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| Makeup artist | Lene Arentsen |
| Makeup artist | Mari Idaka |
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Sound |
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| Sound designer | Mikkel Groos |
| Boom operator | Nathanaël Gustin |
| B-sound designer | Peter Seeba |
| Foley artist | Peter Seeba |
| Foley artist | Joachim Nyholm |
| Sound mixer | Mikkel Groos |
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Special effects |
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| SFX | Dan Erik Heggelund |
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Visual effects |
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| Graphic design | Tone Jacobsen |
| VFX | Sahand Porkar |
| Colorist | William Løkken |
| Colorist | Ian Bach |
| Colourist | Edoardo Rebecchi |
| Online | Adil Zaman |
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Stunt |
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| Stunt coordinator | Kristoffer Jørgensen |
| Stunt coordinator | Jan Ollén |
| Stunts | Sørensen, Martin Årnes |
| Stunts | Sara Solheim |
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Appearance |
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| Ines | Vic Carmen Sonne |
| Lucas | Mikkel Boe Følsgaard |
| Shigeru | Mirai Moriyama |
| Mamasan | Kaho Minami |
| Maria | Nagisa Morimoto |
| Ayano | Junko Abe |
| Gartner | Sondre Sandbakken |
| Toru Shibata | Yasuaki Shimizu |
| Værtinde Candy | Saya Kataoka |
| Pianist | Kiyotaka Maruno |
| Værtinde Yuka | Nori Sato |
| Afvisende kunde | Gene Koji Yamaguchi |
| Værtinde Kitty | Airi Kido |
| Efterforskningsleder | Erik Smith Meyer |
| Præst | Tatsutoshi Oiwa |
| Tjener | Akihiro Yamaoka |
| Værtinde Kat | Kwamie Liv |
| Værtinde Anna | Anna Tanaka |
| Værtinde Sara | Nanami Kameda |
| Retsmediciner | Hans-Olav Holtermann Eriksen |
| Portør | Mathis Ståle Mathisen |
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Watch the film
